Summary

In his new book author continues to use an ontological poetics as his method of reading of well-known texts of European literature.

Now he offers to read Shakespeare, Goethe, A. A. Milne, J. M. Barrie and others from this point of view. An ontological schemata helps to uncover the internal sctructure of texts by the way of analyzing the «strongest episodes» (well-known ones) of them and revealing of «non-obviously sense structures» which lie in the basis of their construction.

Ontological poetics shifts an accent both from culture to nature and symbol to substance. As a result a new interpretation of well-known texts seems to be revealed.








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